Michael Zimmer has made a career
out of proving his critics right. This noodle-lipped halfwit was born
in
New York City to a two-time world champion narcissist and a malfunctioning
traffic meter at the corner of
93rd and West End. By the time his testes made their daring drop for freedom
in 1982, Michael had already
won critical acclaim for his unsullied mezzo soprano, as well as his excellent
ability to share. In 1986,
the creative life continued to beckon, as Michael made his acting debut
in the Merchant-Ivory film Take My
Spleen to Rhodesia, playing the role of “Sententious Dwarf
#2,” which he later reprised in the 1988 sequel,
Now Take My Left Ventricle.
Lion-hunting proved to be an avid passion of Michael’s in his pre-teen
years, mostly in response to the lion
that ate his family in 1991. As would prove a motif in his later life,
Michael turned tragedy into joy in
1993, when he found the offending lion, stunned it with a tire iron and
then reached up its urethra and
pulled out his family, exhausted but relieved, from the creature’s
sweaty bowels.
Michael’s first stageplay, The Importance of Being Regular,
debuted soon afterwards, playing to sell-out
crowds at the Schenectady Catholic Home and causing SCH resident Arleen
McMaster to hail, “Don’t kill me! You’re trying to kill
me!”
Rave reviews were also to follow for Michael’s first non-fiction
book, Wasabe You Baking?: Asians and 20th Century Innovations in Cornbread,
which was nominated for the Scruff-Hackner Award for Regional Non-Fiction.
Soon following this success, however, Michael’s controversial book
of experimental photography
entitled That’s My Yoni!, was burned in the street by he
and several hermaphroditic passersby. This event
marked a dark time in Michael’s life, when he toyed with fascism
as a solution to the societal epidemic of
gingavitis.
Michael managed to surmount this epic nadir by turning to the comfort
and faith of alcoholism. Through a
whiskey-induced haze, he produced a collection of forgettable short stories
entitled The Plural Of Moose
I s Not ‘Meese’ , from which several pieces were anthologized
in the 1998 edition of Pointless American
Fiction, alongside RuPaul and Joyce Carol Oates.
Literary acclaim would still find Michael, however, after the publication
in 2003 of his ambitious
tetralogy of novels––The Serially Uncouth; Green
Eggs Kill; Uncle Dicksmoke; and Vivisection.
In his free time, Michael enjoys parsnip-basting, the use of the false
word “guyagak!”, and dreaming.
He lives in the hearts of all sinners, and commutes to Los Angeles by
goat.
E-mail Michael at MichaelZimmer@flymf.com
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